Realism as a Method to Depict Immediacy Unexpectedness and Wonder in Essay

Realism as a Method to key Immediacy Unexpectedness and Wonder in Berninis Apollo and Daphne and Poussins Et in Arcadia Ego - Essay ExampleIts that prisonbreak of stasis that I felt the night my ex dropped the we need to talk line on me. Its banality and immature to dwell on emotional turmoil, yet that night my roommate got an earful of conversations and complaints. Before act in for the night, he left me with that old as time adage that has passed through nearly every broken heart. You cant understand happiness without feeling pain, he told me, and as cliche as the phrase is, it is console something I hold to be true. As I studied Apollo and Daphne1 and Et in Arcadia Ego2, I couldnt help but wonder if Gian Bernini and Nicolas Poussin were attempting to express the same heartache that is so central to this merciful condition we share. Beyond the longing gaze in Apollos eyes and the lamenting stare of the sheepherders face, what drew me to this question were not the works themsel ves, but the emotions I felt because of the works. To capture these emotions, Bernini and Poussin combine a novel technique of using realism as a means to achieve the awed effect so common to fancy visual acculturation. In his 1998 book Italian Baroque Sculpture, Boucher highlights the concomitant that awe-inspiring effects such as immediacy and mimicry, and the unexpected and the surprising were all prized by Baroque artists3. ... It is for this reason that it became star of the most important aims of Italian Baroque sculpture to represent flesh as flesh4 . While this quote focuses on sculpture, this emphasis on a realistic title was central to all Baroque visual culture. Combining realistic figures with the shocking imagery of a cleaning ladyhood turning into a tree or a forgotten tomb in the middle of a field created these desired effects. Because realism is necessary for the effects of immediacy, unexpectedness, and wonder, realism was essential to Baroque visual cultur e and was skillfully incorporated into the works Apollo and Daphne and Et in Arcadia Ego. The most obvious effect in Berninis sculpture is one that is highly associated with Baroque visual culture immediacy. In his article The Element of Motion in Baroque Art and Music, William Flemming describes this increased feeling of immediacy in Baroque culture by saying, The Baroque period brought about a quickening of the pulse of human affairs. It was an age of movement, activity, exploration. Time is of extremity importance. The mechanical clock becomes the dominant symbol of this period and performs the unique function of translating the movements of time into spatial dimensions. If one is to follow this symbolism to Berninis sculpture, then Daphnes extended arm is minutes away from touch twelve an obvious symbol of the immediacy felt in the scene. This sculpture is not a still life this is the peak of action in a moment that will define the lives of these two gods forever. To barely d epict this scene with a realistic style would completely miss the specter of a woman turning into a tree, yet to completely focus on the tree would be to ignore the metamorphosis. This is where Berninis true genius is