Identify and Discuss the Use of Classical Features in Mozart’s Finale Clarinet Quintet

Wolfgang Amadeus Mozarts Quintet for Clarinet and Strings was written in 1789 for the clarinet player Anton Stadler. That is wherefore this quintet is sometimes referred to Stadlers Quintet. The instruments it was written for were one clarinet and a string quartet which consists of two violins, a viola and a cello. The piece includes 4 light uponments and movement 4 consists of 5 transformations and the fasting con mutationi. In each of these variations Mozart had used ideas, compositional devices and diaphanous features to unite the piece. These undefiled features fit into three concepts of music. These are duration, penetrate and construction. It also affects the atmosphere. The finale consists of 5 variations and the allegretto con variationi. The typography in the allegretto con variationi are 2 quaternary immobilise phrases. The first phrase ends on an imperfect cadence, from I to V. The second phrase ends on a perfect cadence, from V to I. In both phrases th e first two exclude move with the other 2 proscribe using the feature frustrate and reply. This motif was regularly recurring within the piece. The agree construction for the first 8 debar is I I V V I V I V I I V V vi ii V I. There is not much variety within the consort structure as it was common to use a favourable and organised theme in the classical period.

However, the variety in the chord structure, in bar 7, and the use of call and chemical reaction creates interest. The metric grain is homophonic which is predominant in the classical period. The texture begins thin and then gradually gets thicker. I n variation 1, the instruments curiously th! e clarinet make wide leaps between one to another. In bars 9 to 11 violin 1 plays the quavers identical to an alberti bass. excessively in bars 12 and 15 of variation 1 the quavers ascend chromatically. In the first two bars the scattered motif is contend by the violins and then in bar 4 the same fragmented motif is played by the viola and the cello. It is also played in bars 13 to 16. Repetition was a compositional...If you want to get a bountiful essay, order it on our website: OrderCustomPaper.com

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